Here’s the cover to the soundtrack of Snoop and Wiz’s upcoming movie.
Below is a synopsis of the film. Music release date December 13th.
The film, set in a Los Angeles high school, sees Valedictorian hopeful Devin Overstreet (Wiz Khalifa) struggling to pen his graduation speech when it becomes clear that all his academic overachievements have left him with little to no real-life experiences. He finds an unlikely inspiration in the least-achieving student on campus, Mac Johnson (Snoop Dogg.) Mac, a 15-year senior and consummate ladies man, is smitten by the school’s new substitute chemistry teacher. He soon realizes that the only way he’ll truly have a chance with her is if he finally graduates high school. In 3 weeks time, Mac must cram four years of high school academics, while Devin must cram four years of teenage experience.
Deezy Tha Don is one of the few Canadian rappers in the music industry right now, Rapping out of Abbottsfield, Edmonton, Canada. Deezy is Edmonton’s premier up and coming rap artist, giving Canadians a much needed dose of trap music. Other notable Canadian music artist include Drake of YMCMB and pop artist Justin Beiber
Chuck D is suing the label that owns the rights to the first five Public Enemy albums for $100m in royalties. He has formed an unlikely trifecta with Rob Zombie and the estate of Rick James, each of which is also suing Universal Music Group over their treatment of revenue from digital music sales.
“UMG is paying … roughly 25% of the royalties that it should be paying them for moneys received from music download providers,” argued Chuck D’s suit. The rapper claims Universal owes its artists and producers “hundreds of millions of dollars” from the sale of downloads and ringtones, citing a major ruling from earlier this year. In that case, Eminem’s lawyers argued that digital sales should attract a higher payment than the standard royalty from the record label, on the grounds that online agreements count as licensing deals, and the artist should therefore receive 50% of net revenues, not 18%.
Universal acquired the rights to Public Enemy’s first five albums when it bought Def Jam in 1998. The contracts for legacy acts such as Public Enemy do not have explicit terms for digital royalties, though they are commonplace for new signings. Chuck D says Universal pays just $80.33 in royalties for every 1,000 song downloads, and $49.89 for every 1,000 ringtones; he contends these sales should be treated as licences, not unit sales, boosting figures from $80.33 to $315.85 and from $49.89 to $660.
In a statement to the Wrap.com, Universal declared it would “vigorously defend” against Chuck D’s lawsuit. “This complaint suffers from serious flaws and weaknesses, not the least of which is that the claims asserted are not appropriate for class treatment.”
Soulja Boy swagger jacks up and coming Detroit artists DoughBoyz Cashout flow in recent video “Tear it UP”. Watch both videos below and be the judge. DoughBoyz Cashout dropped “Good Azz Day” video over a month ago. Soulja Boy released “Tear it Up” last week.
Checkout this article on “5 Secrets the Music Industry doesn’t want you to know for aspiring artists”
Q-Tip said it back in 1991, “Industry Rule # 4080/ record company people are shady!” – A Tribe Called Quest, Check The Rhime (Throwback Video below)
Starting in the early days of the music business with Blues and Rock & Roll, payola was once the most popular underhand practice. Record companies and managers would bribe radio DJ’s to give their artists radio play. Although illegal, this practice has never stopped and continues to be used in 2011, albeit in more subtle forms. With the rise in new technology and the dominance of the internet threatening the music industry’s outdated business model, new “questionable” tactics have been developed to help labels stay afloat. Here are 5 secrets the music industry doesn’t want you to know! Check the full list after the jump.